Writing Studies

Writing studies seems so much more serious than anything going on in speech communication rhetoric to me these days. I think what’s most attractive is the focus on the idea of pedagogy. This requires the assumption that people can change if we give them opportunity to do so, and that opportunity exists in the carefully crafted use of language.

Some refutatio: No, it doesn’t mean this is the only way to change people. No, not everyone is always willing or able to change. But it does require some civic faith to live in a democratic order – part of that faith is not dismissing the assumption before you’ve had a go.

These things apply to speech comm rhetoric as well, but public speaking has been set aside as something irrelevant to the work of the verbal rhetoricians. The important thing is criticism not creation: The work that is to be valued doesn’t happen with students, it happens in monographs. Teaching is something that isn’t valued as a site of academic work by speech communication rhetoricians.

This isn’t everyone; there are speech comm rhetoricians who care about teaching, but their teaching is ironic in relation to what counts as good research in the field. You see people teaching modality as the heart of rhetoric, teaching peer-reviewed sources as the only form of evidence while writing and publishing about the speech that gets lost in between civic forms of power and testimony that is rejected as evidence by power because of race. If this appears in the public speaking curriculum, it would be a very rare thing indeed!

But in writing studies it seems that modality has been replaced by this idea of improvement through practice and reflection. This is what public speaking should be. I try to make it more like this, but I think I need more instruction from writing studies. There’s a depth there I can’t really seem to get into. So I’m trying to assemble a reading list for myself from the syllabi I can find online from writing studies graduate seminars.

In speech communication, there’s no premium on teaching whatsoever. Maybe it’s changed? I hope so. It’s assumed that if you have a tournament debate background you can teach argumentation. It’s assumed you can teach public speaking if you have been accepted to a graduate program. What training you get, or what supervision you get is really random. I know of a couple of programs where that supervision is from a lawyer – someone without an academic degree.

This is too much separation between graduate studies and teaching to be productive, and I hope maybe in writing studies I can find something to help me unlearn a few things.

The Reason that Debating is as Important to Education as Writing

“We are all teachers of writing,” is not only a good principle of education, or a good mantra of focus for teachers overwhelmed my the irrelevant minutae of state requirements and Common Core, but it is also a political statement – it’s the phrase of victory of rhetoric and composition, who conquered the educational world with this phrase. In many ways, it’s a rhetorical meytonomy – container and thing contained. This phrase speaks for the entirety of how we see and evaluate education. There’s no escape from the prevalence of writing in education, and there’s no escape from the consideration of writing as education.

Photo by William Moreland on Unsplash

In speech communication rhetoric, to say we’ve dropped the ball would be to understate how poorly we have fared in expressing such importance for public speaking, argumentation, and debate. I think perhaps it’s because most of us don’t believe public speaking, argumentation, or debate matter at all. Public speaking matters because it funds our departments. Argumentation is an elective that fills seats regularly. And debate is an esoteric after-hours sport that occasionally allows the name of the department to circulate on internal PR lists, making sure that the Communication department blips on the Dean’s radar rather regularly. That’s pretty much the extent of the vision of speech communication rhetoricians, whose attention is so thinly distributed across other fields that they can’t be bothered attending to the heart of their own.

Recently it has become a universal claim of fact that the United States, and the world, have lost the ability to engage one another civilly. Not a week goes by that you don’t see an article or a new book that claims that we have lost the once vibrant and common practice of engaging one another with civil and calm tones, evaluating evidence, and allowing reason and rationality to guide our way.

A quick glance at history, particularly American political history would immediately defeat this belief. The vast history of U.S. politics has involved muscle and weapons in the persona of street gangs that were regularly courted to perform voter intimidation and violence against groups who parties thought best out of sight, sound, and mind. But historical reality has never been very influential to human minds. Why are we not using this claim of the loss of civility as a way to boost our courses in the university, community, and country?

It’s a given that any course requires speech. Even if professors are not assigning formal presentations as class assignments or assessment (hard to imagine), the need for class discussion, participation, and verbal engagement is a given in every American higher education classroom.

Yet public speaking frames itself as some odd historical reenactment of the 19th century model of city hall, the Chautauqua circuit, or some fantasy of civic engagement where anyone could stand up in front of 20 people in a room and speak about anything they like without interruption. It’s an homage to historical fiction about the United States in the tune of Normal Rockwell at best, and at worst it could not be better designed to ensure our students do not and can not participate in meaningful contemporary politics.

The Argumentation & Debate course suffers from several problems, first being the conflation of two distinctly different rhetorical forms. We would never teach a course called Zoology & Botany or Poetry & Novels. There would be some distinctions that would take up most of the class time if we did. Not so here. More to come on the importance of dividing these two forms from one another.

Debate – confined to the late-night session in the basement classroom of the communication building – is just as important as writing for all university students. We are all teachers of debate in the sense that we are all preparing our students how to present conviction to uncertain others, and how to evaluate the speech of a convinced person in relation to the speech of someone convinced in some other, exclusive way.

Professor Lionel Crocker’s many books on these arts from the 1940s

Debate is not an afterthought to consideration and research and neither is writing. Both are ways to explore meaning and certainty. Debate often will leave you less convinced of your initial position even if the listener is more convinced of it. Debate also calls to account notions of fact, dissolving them into evidence, and further dissolving them in to support. This softer read on proof is essential for critically thinking your way through political, social, business, and scientific problems.

Debate, like writing, isn’t final, but in the realm of expression. When you argue you express a commitment, but it’s not a permanent identity. You are expressing what you feel and think at that moment, given the context and situation around you. Debate involves risk but no catastrophic loss. If you are proven to have a bad idea, perhaps it was your advocacy that allowed exploration of a seemingly good idea to the point of reconsideration. Without an advocate for a position that might not be great, we cannot fully explore ideas on their own terms, and always accept them with the blind spot of our initial approach. Debate forces us to defend the obvious with well-formed words. When we teach writing we are always asking for more explanations and more detail from the writer. We don’t want to see what’s true; we want to see how it gets there and how it is made.

Writing is the most common form of evaluation in higher education today, and students are doing more writing than ever with their devices. They are negotiating the space between expression on the page or screen and who they imagine that they are. Debate does the same thing, but with the voice and immediately with others. Teaching students how to debate an issue is not teaching them how to fight, get loud, or shake their head at their opponent. It’s teaching them that taking a stand is an essential part of being human and ironically, losing a point doesn’t lose the self, it helps create it. Debate is risky because it is creative. It’s constitutive of self in surprising ways. It helps us figure out how to know what’s out there. Just like writing, it’s a practice that helps us understand our mind’s relation to self, the world, and what we think is worth sharing.

What’s in a Debate Name?

Debate Coach makes me cringe for so many reasons. I’m not sure I can list them all here. The first concern with this term I share with William Hawley Davis, Professor of Speech at Case Western in 1916, who worried that teaching debate for competition made his role “adjunct to sport.” If there is a debate coach, there is a debate sport. There should not be a debate sport, unless it’s something that is performed with everyday activities that can be evaluated as having moments of practiced excellence. For example, throwing or catching a ball, running, swimming, jumping – all are elements of things anyone can do, they understand how these things are done. Debate eliminates the connection with everyday rhetorical practices, providing their own “purified” modes of speaking, listening, note taking, evidence, that are designed to be inaccessible to everyday people, and they then call that inaccessibility excellence. There’s no recognition here of excellence, just something surprising.

I’ve always thought the best metaphor for debate is a martial art, where the competitions are based on mastering particular moves, and then mastering those moves in combinations. Most interestingly, martial arts competitions are examined for evidence of practice as communicated through form and execution. Tournament debate is often judged on what is novel and surprising; what exciting new position can be created in the moment. There are few techniques and even fewer practices that can be taught, or seen in evaluation, in tournament debate. It’s most often about surprising the opposition rather than relying on process to invent convincing arguments.

Debate competitions designed like martial arts would have elements of Roman declamation along with elements of exchange on an issue that everyone can access and discuss. What sets the excellent debater apart will be the ability to craft and deliver arguments in a way that improve the quality and the possibility of argument for the audience. The judge should be able to recognize someone who takes this art seriously and has practiced it, they have a process where the weight of engagement with the issue is communicated in the delivery and nature of the arguments.

This though is not a sport, which is probably for the best. It’s a way of self-assessment in your discipline to see how you measure up in your practice and focus on debating.

Debate Educator is a better term perhaps, but this term is often hijacked by tournament addicts to make their style or preference of tournament sound superior to the tournament style they hate.

I hear this term when people are trying to position themselves as a leader or influencer of some novel type of debate activity. The idea is a good one: Someone who educates through debate seems like something I’d support. But the reality is that these people are often educating about debate, i.e. the right way to do it.

The rhetorical understanding of debate, and some elements of the philosophical side of it, all agree that the correct way of debating is tied up intensely with audience. You cannot create a modality of debating and ship it wholesale onto an audience. They always have a say in what is going on. Or in highly rhetorical views, like my own, debate does not exist without an audience. If you have audience-free debate, you are doing something else. The fact that recordings and internet broadcasts of debate tournaments are not a required part of the competitions indicates the flat dismissal of the rhetorical perspective, placing debate tournaments out of synch with the history and theory of rhetorical scholarship.

A debate educator would be someone who would use debate as a significant part of a plan or a process of approaching pedagogy on a number of subjects. It would not be “this form of having a debate with other people is superior to this other form.” This is far too often what the debate educator sounds like.

Teacher is my favorite title for the sort of work that debate engenders, and it’s strange to me (although I do recognize the historical reasons here) that few professors like the title teacher, or consider teaching to be something praiseworthy. It was taught to me in my PhD program as something one tolerates in order to do the “real work.”

Debate Teacher has some weird issues with it that are similar to debate educator, or can fall into the same sorts of traps. Educator is rather snobby, and teacher sounds like and feels like someone who gets down into the trenches. An educator I can see speaking at a conference; a teacher brings to mind the image of someone leaning over next to the desk of a student engaging what they are engaging, ensuring and assisting something educational.

I’m very upset about how the title Professor of Practice gets a negative rap as the title that austerity administrators at the University are using to designate non-tenure track professors. I love the title, as it indicates a powerful relationship between the art of teaching, professing something (as in an emotional expression of what and how things should be in the world), and dedication to practice as the thing, not preparation for the more important thing coming later, which is how sports are coached. A focus on practice as practice is what rhetorical pedagogy needs and is and should be, all together. I love this title, but unfortunately it has been co-opted by the economic realities of the university.

Professor of Debate Practice might be cool. An emotive, passionate advocate for the practice of debating as a pedagogical orientation to the world. That’s what I have always found most exciting about debate are the moments when students start to look for process. Once they find something that works, they go around testing that part of process on everything they find worth thinking about. Tournament debate is so limiting in it’s methods and capacity for thought that eventually students grow beyond it pretty quickly if they are being taught right. They do preserve the element of process though and hopefully create connections between that experience and later inquiry.

In composition, they have the titles Writing Consultant (a bit too corporate for my tastes, but I get the idea) and Writing Center Director as well as Composition Professor or Rhetoric and Composition Professor which is really great, as it communicates that there are two elements here. But people from NCA oriented departments would never accept a title like Rhetoric and Oratory Professor because it would indicate too plainly that they teach, and there’s a weird negativity in NCA-focused departments on the teaching of public speaking. The representative anecdote for this is the story I heard from a pretty high ranking professor dismissing the idea that all new faculty hired should teach public speaking by saying, “We don’t want to punish them.” This is a pretty common attitude, and one that Writing Centers, and most Rhetoric & Composition people would find extremely alien. It raises a big question for me: Who would claim to be a Rhetoric Professor and not want to hear and help people gain new perspectives on their speech?

What’s in a name indeed. The naming convention of Debate Coach needs to transform into something that highlights the powerful elements of pedagogy that are deep within the debate experience. Coaching is a gestalt that brings forward sports and zero-sum games. It conjures the idea that there’s talent related to the democratic art of debate rather than this is a difficult necessity that all must learn how to do; all must struggle through the never-ending challenges of deliberation.

Not sure what title would work best, or what people would be proud of. I certainly hated being called a coach, but I recognize I’m in the minority. What title best communicates the complexity, power, and necessity of education through the act of creating and advocating two-sided arguments before an audience or judge?

The First Oral Assignments are Turned In and It Seems Like a Lot of Grading

The biggest hazard from teaching online I think is that you get huge waves of grading that have very firm time requirements.

If I assign students to prepare a speech 6 minutes long, I have to listen to 40 or so 6 minute speeches. There’s nothing I can do to reduce that amount of time at all.

It could be argued that if you assign papers you have a bit more control over how long it takes you to grade, and you can shorten it, but I am not sure that’s true at all. For me, reading student papers always takes longer than listening to them speak. I think even with the fixed 6 minute speech I’m still doing pretty good with classtime on grading. I’m hoping to turn everything around by Saturday so we’ll see how it goes (everything came in last night).

In my other course where I would traditionally assign a paper I have been allowing students to present their ideas either by recording themselves on a powerpoint or submitting an audio file as the assignment. I’m hoping to work a bit more on oral assessment, and giving students multiple opportunities to practice speaking their ideas to others.

The power of oratory cannot be denied now more than ever. The deluge of podcasts and the dominance of video calls, vlogging, and websites like TED Talks and The Moth show that the power of speech is not something old or less important than writing. It is not writing, but it is definitely composition. Unfortunately most people in my field teach public speaking as the transmission of facts and truths from research, which is extremely thin and limiting. Speech creates understanding in incredible ways since it is ephemeral, immersive, and helps us feel our way through ideas as we listen to the persons speech patterns, tone, and how they adjust what they are saying as they go.

My focus will be to push for more casual recordings, more one-take recordings, and more supplemental or response recordings as students interact with one another’s work. I hope that by December we’ll be in a place where submitting a voice memo from the phone is at the same level of critical engagement that a nice paper would be. Considering how little time college students spend on papers, I feel that this might be a good way to practice critical thinking.