Opposing Skill-Oriented Pedagogy

Didn’t think today would be a “day off” but it quickly became that as I slept in to the impossible hour of 9AM then proceeded to really do next to nothing for most of the day yesterday. I finally got around to some productive stuff around dinner, planning to hit the sack early for a long Thursday ahead. 

Thought off and on about the need to distinguish an alternative discourse for pedagogy, one that does not assume we are teaching skills and that skills are what students need and those skills are then brought to bear on a world that will give them material rewards. Instead, I would like a teaching discourse that allows students to be and exist, to help them practice that, and to enrich and present themselves to themselves via practice. Assignments that push this model of pedagogy are hard to imagine because, well, they don’t really seem to be able to be measured by anything but the old, dug in model of evaluation – skill development. 


footsteps.jpg

I am seeking creative assignments. These are assignments where skills are not tested but creativity is practiced. This book I just read called Footsteps gave me some cool ideas. It is a collection of essays from The New York Times that sends a reporter to a city that is associated with a famous literary figure. They write about impressions of the place given what we know about the literary figure, the city, and what he or she did when living there. It’s a great collection and the essays could not be more different. The only purpose of these essays, except to make money by encouraging the circulation of newspapers obviously, was to provide a nexus of two extant bodies of data in order for the reader to think differently about a literary figure with which they might have some great familiarity. I read the Kerouac chapter with great interest, but it didn’t shine any new information on him for me. It was an interesting perspective, since they chose the fire lookout cabin in which he spent a summer one year. Odd to pick that over New York, Denver, or San Francisco – all cities much more important to Kerouac than a small town outside of Seattle. 

I read the book to go to a book club but sadly I was too sick to go. I’m pretty sad about it as I was interested in meeting some new folks to talk books with. I hope I’m able to go next month, but I should get going on the new book if I plan to attend. Things just spiral out of control in the early fall and I’m still not sure why that is. 

I was thinking about assigning a speech with a similar tone to the essays in Footsteps. I like the idea of students assembling two sets of data together for the reflection upon two more familiar things. The laying of one thing on top of another is an old method of rhetorical inventio to be sure, but what a cool thing to have students do to show them how easy it is to be creative and to generate new thoughts. The question is: What sets of data can I have them combine? Maybe they could pick a remake of an old song and find commonalities and differences in the bands? Perhaps a couple of different films about the same thing? Or an element of flim? (The car chase, the shootout, the kiss, the near miss, the double-cross, etc.) Or I could have them pick a neighborhood in New York and find something to lay over it. Food seems like a good thing to add to the assignment – different foods and their reception and production in different parts of New York? The original idea is also a good one – famous writer and the city they lived in while working – not too bad of a task. But I wonder if I could push them to include writers they wouldn’t think of as “writers” – the poets of hip-hop, the comedians they love, etc. Things like that might not strike them as classroom appropriate, or what their professor sees as a valuable author to study.

Not sure where this is going, but I would like to provide opportunities to create and produce other creative thought, not merely replicate the skills that I imagine people have used to carve resources out of society for one’s consumption. Teaching people how to be consumers seems to be the university’s full time program these days – how to consume courses, credits, and tasks in order to gain a degree to pursue a life primarily ordered around consumption. My task will be to push back on this hegemony just a little with the idea that we can produce things, ideas, and moments that are much more valuable, fun, and engaging to consume than anything that can be found on Netflix. We must encourage students to craft and build not just copy and deploy the moves of the past if we are to make the university valuable for being a university, not for being a place where one finds one’s career among a number of options for work. 

That’s a Wide Angle

This is the first debate video I’ve shot with my new wide angle lens for my now ancient, but very handy videocamera. It’s a commercial camcorder, which, as anyone who has watched video on YouTube about making videos will tell you, is a terrible choice. Everyone says to use a DSLR or Mirrorless camera and just record video that way. This camera though is so good and has done such a great job through the years it’s hard to imagine anything beating it. This video looks and sounds great, and could be a demo debate that could be used quite a bit for teaching purposes. Very happy with it.

The Montana workshop is something that I agreed to do not really fully knowing what it would become. I figured at the time I agreed to start going up there and doing a weekend at the start of the year that Montana and the various regional schools that participate would simply fold themselves into the national scene. What we have instead is a very nice regional even that welcomes a lot of folks into debating who might not do it otherwise, or might do it but not really feel sure about it, and the defeats at the first major tournament might encourage them to leave it. 

This debate I thought was quite good as it exhibits a number of different approaches to a motion that could have multiple concurrent opposition positions – one could be against the DREAM Act, against the Wall, both, or against the idea of compromising with Trump or the Democrats (which is far too rare a position to appear in debate-land). In this environment, government teams have very little room to establish what they would like to do and opposition teams have a ton. I think you’ll like the varying approaches you’ll see down the benches. 

We didn’t declare a winner but you could comment and let me know what you thought was best in the debate. It was a good way to start of the season of competitive debate instruction for me. Already looking forward to going again next September to Billings. 

 

Montana Takeaways

Well I finally missed one – it was bound to happen. Yesterday was a very long travel day and although I did have time to write while waiting for a flight in Denver, I just didn’t really feel like it. I ran out of cold medicine Sunday night, so I knew Monday would be pretty rough coming back. I was just taking it easy. If I only miss one that would be pretty good.

This morning I’m in a reflective mood. The rain is moving in, and the desktop is already processing video and photos in the other room. I have a lot of email to answer and two more debate trips to plan today. Tonight is a debate meeting which I look forward to. Hoping more new folks show up. LIfe gets pretty busy in the fall term, and I always forget how busy it is.

The trip to Montana this year provided a few take aways:

1. An enemy of debate that I underestimated is instrumentality.

I realized this in judging the final round (which was excellent). I believe that instrumentality is the primary philosophy behind most all debate education and is the basis of the “good speech” model that most competitors use. This approach no doubt is responsible for the weirdness of motions, the weird ways that people within debate react to motions that would be considered interesting and good by the general public, and the hidden methods of evaluation of debate speeches. 

I always feel a little anxious and nauseated when people ask me to teach at a “debate workshop” or provide a “workshop” for debaters. I feel like several things might happen: I will sell out and talk about “the 5 things all PM speeches miss” or some nonsense and then hate myself all night; I won’t sell out and the students will feel cheated, like “what the hell was that? He didn’t help me do anything!”; Or I’ll try to work my own ideas into some instrumental model of debate education and it will not be enough of either for me to be happy or the students to be happy. 

This time I think I’ve figured out that If I just teach rhetorical ideas, the rest of it will follow. Debaters are drawn to debate because they are thinkers and they are curious. These are traits that are easily stamped out by the competitive norms, making them obedient to “what wins” and admire the “great speakers” they find on YouTube or at other competitions. Appealing to these things was pretty successful when giving the workshop this time. Also it was great to have a collection of smart people to have a conversation with in front of the crew. The idea that debate is transmitted from those who know to those who don’t is a failure. It’s a conversation among practitioners about what works, what doesn’t, and what is worth trying. I think we accomplished that at the Saturday morning workshop.

2. Small Regions that Interact Infrequently is How Debate Thrives

Steve Johnson at the University of Anchorage said this to me during an interview in an early episode of In The Bin. I didn’t totally agree with him as during those years I was very excited to be on the edge of a growing national circuit. But a national circuit is a normalizing circuit; it is the death of debate’s most important elements: creativity and imagination, approaching issues rather than approaching strategies. National competition requires the most bland spices available if any due to the different palates that you have to satisfy in the judging pool. 

Montana is one of these places where when I watch people speak I remember what attracted me to the BP format in the first place. These speeches are aimed at a public audience, not at those who appreciate a technical skill. When moving between these circuits, what keeps us connected is attention to what’s being written, discussed, and posted in the public sphere. That’s where our matter should be drawn for topics and arguments. Not “we’ve done this before” or “we’ve never seen such a crazy motion!” Those standards are the result of thinking about debate as a broad, bland, technical skill mastery event rather than a community of thinkers gathering together to practice being intellectuals. The latter is my weekend experience and I would like to see more of this, and less concern about Worlds or USU in the instruction and practices of debaters. 

More reflections I’m sure are on the way. I just wanted to get those two out this morning before I turn to more menial writing tasks. Videos should be up tonight and I’ll post some links to them when they are ready. 

Helena Aphorisms

To understand judging you need to buy one of those cheap anthologies of literary criticism, the dominant form of judging right now is New Criticism.

I think I’ve finally found a way to teach debate that might have value that doesn’t make me nauseated before and after I’m done. 

This is about teaching thought and argumentation under the guise of some sort of debate format.

The worst enemy of American debate formats is instrumentality.

Most debate rules and procedures are designed to eliminate uncertainty, therefore eliminating the point of the event which is to negotiate uncertainty.

Increases of instrumentality increase the distaste for debate formats

The thing to keep in mind when watching debate videos is: If you meet the Buddha on the road, kill the Buddha.

I didn’t come up with all of these, and there might be a few more, but I have to get up super early to fly, so that’s all I’m going to do tonight. Maybe more later. These posts are so behind on depth, but they are good markers of where the depth must be plumbed.

 

Comparative Cornell Talks

Here’s my most recent version of a talk I wrote about three years ago and have altered over time. This was the talk I gave at Cornell University on September 11, 2017. I thought it would be somewhat interesting to put a few of the recordings here for comparison. 

I play pretty loose with a lot of concepts that other professionals might find to be not so great. I think the purpose of this talk is to get people interested in rhetoric as simultaneously a thing to study, a method for the study of other things that are mostly made of words, and a thing of historical interest that has shaped our view of communication and rhetoric today.

Here’s the last one, from 2015 to see how different the approach is:

And another iteration, this one from February right after – I changed it a bit between the break. 

The changes are based on feedback from the students as well as talking to the hosts to make sure I’m presenting something that makes sense for helping the students understand “the rhetorical” enough to be able to study it for a term. This is an institution that has no rhetoricians and no rhetoric program  – although I do think they have rhetoricians in composition.